Possibilities are rife and relevant.ĭouglas Kahn, Professor of Media and Innovation, National Institute for Experimental Arts, UNSW Art & Design, is a writer, historian and theorist.
The dead matter geological frame of the Anthropocene can itself be reconceptualized in terms of the energetic cycling of the Sun. In the synthetic capacity of the arts exists a capability to unite the political imperatives of energy politics, as constructed around fossil fuels, and all other dominions of energy in perception, life, materiality and cosmology. Examination shows that they have never been fully formalist, but what formalisms may have existed are being forever reconfigured now that dispositions toward energy impinge upon our own species-survival, let alone the fate of other species.
In recent history, the arts have circled around energies: kinetic art, light art, sound art, let alone the movements, metabolisms, intensities, electrics, turbulences and transmissions that animate so much more.
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